Saturday, April 1st, 2023 (8:00pm) – Luke Fitzpatrick: The Light Strikes
Luke Fitzpatrick presents an evening of newly commissioned works by composers Kerrith Livengood, Sam Krahn, Marcin Pączkowski and Luke Fitzpatrick that meld the violin/electronic aesthetic with an added vocal element. The concert will also feature my piece What Will Sound (was already sound) for violin and live electronics, first premiered (by Luke) in 2016 and presented here with a newly re-fashioned electronics layer.
Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N.)
Seattle, WA
Tuesday, February 7th, 2023 (7:30pm) – Seattle Modern Orchestra with UW Composers
As the culmination of its residency at the University of Washington, the Seattle Modern Orchestra performs works by students and faculty of the UW Composition Program (including my piece Stalasso II). Julia Tai conducts.
Meany Studio Theater, University of Washington
Seattle, WA
Saturday, December 3rd, 2022 (7:30pm) – Cacoëthes Obstrependi
University of Washington composers Jeff Bowen, Arshia Ashari, Melissa Wang, Huck Hodge, Joe Krycia, and Sandesh Nagaraj explore unconventional sonic landscapes in this concert presented by the UW Composition program.
Brechemin Auditorium, University of Washington School of Music
Seattle, WA
Sunday, June 11th, 2022 (7:30pm)
The Seattle-Isfahan Project presents 33, A program of new works from Iranian and American-based composers (including my ensemble piece Weir)
Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N.)
Seattle, WA
Sunday, October 25, 2020 (2:00pm)
What Will Sound (was already sound) will be presented as a part of the University of North Georgia’s 2020 Conference: Research on Contemporary Composition
University of North Georgia – Tumbling Creek Preserves
Sunday, February 23, 2020 (7:30pm)
Luke Fitzpatrick and Charles Corey present a program of Outsider Songs for Harry Partch’s Adapted Viola and Adapted Guitar I, including my piece for Adapted Viola and Voice, The High Walls I Cannot Scale, as well as a new work for that instrumentation, One Star Reviews, composed jointly with Luke Fitzpatrick.
Smith Memorial Room
University of Illinois at Urbana-Champaign
Thursday, June 20th, 2019 (4:30 pm)
Maja Cerar will perform What Will Sound (was already sound), for violin and live electronics, as a part of the joint ICMC/NYCEMF conference.
Loreto Theater at the Sheen Center
18 Bleecker St
New York, NY
Saturday, June 8th, 2019 (7:30 pm)
The intrepid guitarists of the Seattle University Guitar Studio present a program of new chamber music for guitar, including my piece Parataxis, for guitar ensemble and violin.
Pigott Auditorium on the Seattle University Campus
Seattle, WA
Thursday, March 28th, 2019 (7:00 pm)
Maja Cerar will perform What Will Sound (was already sound), for violin and live electronics, on the third day of the Diffrazioni Festival, in Florence’s city center.
Le Murate.Progetti Arte Contemporanea
Piazza delle Murate, Florence
Saturday, November 27th, 2018 (5 pm)
Brooks Tran gives the premiere performance of Phainein, for prepared piano, amidst a program of Schoenberg, Crumb, and Glass.
Puget Sounds Studio (485 Front St.)
Issaquah, WA
Thursday, June 14th, 2018 (7:30 pm)
Life is No Way to Treat an Animal II is the second installment of commissions concerts by Seattle based guitarist Satchel Henneman. On the program of new works is my piece Redoubling, for guitar and live electronics.
Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N.)
Seattle, WA
Sunday, June 3rd, 2018 (7:00 pm)
The Seattle Mandolin Orchestra, in collaboration with the Seattle-Isfahan Music Project, presents The Wheel–a program of new music by American and Iranian composers centered on the poetry of Omar Khayyam, the 12th-century Persian poet and astronomer. On the program is my piece Of Seven and the Four, for guitar quartet, mandolin orchestra, strings, and soprano.
Parish Hall of Trinity Parish (609 8th Ave)
Seattle, WA
Saturday, May 12, 2018 (7:00 pm)
The fabulous Figmentum Ensemble (Ania Sundstrum, Daria Binkowski, and Kyle Rowan) premiere my piece for toy piano trio and auxiliary instruments, Stalasso III, as part of their concert of new works.
Tenth Avenue Arts Center (930 Tenth Ave.)
San Diego, CA
May 11th-13th
The Harry Partch Festival begins this Friday, May 11th, and consists of three days of world premieres, rare works, scholarly presentations, and workshops. The final concert (Sunday, May 13th, 7:30pm), includes the world premiere of my piece Where All That’s Solid Melts Into Air, written for the Harry Partch Instrumentarium and commissioned by the University of Washington School of Music.
Meany Center for the Performing Arts, University of Washington Campus
Seattle, WA
Friday, April 27th, 2018 (8:00 pm)
Inverted Space presents its spring concert, featuring four premieres, including my piece The High Walls I Cannot Scale, for adapted viola and intoning voice.
Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N.)
Seattle, WA
Friday, March 2nd, 2018 (7:00 pm)
The 113 Collective begins its Contemporary Music Festival with three sets of new music, including my piece What Will Sound (was already sound) for violin and live electronics, performed by Yamhali Garcia.
Studio Z (275 4th St E Suite 200)
St. Paul, MN
Saturday, February 24th, 2018 (7:00pm)
Tacoma’s Luminosity Orchestra, led by Erik Ibsen-Nowak, presents a program of new works, including my piece Stalasso for guitar and orchestra.
The Pythian Temple
926 N. Broadway, Tacoma WA
Saturday, January 20th, 2018 (7:30pm)
Naeim Rahmani and the Seattle Guitar Ensemble present a concert program of new works and repertoire staples at the Queen Anne Christian Church. My guitar quintet, Quatrain (Ruba’i)–which was written for Naeim and the Ensemble–will be on the program.
Queen Anne Christian Church
1316 3rd Ave W, Seattle, WA
Monday, June 25th, 2017 (8pm)
What Will Sound (was already sound) to be presented at the New York City Electroacoustic Music Festival
The Playhouse, Abrons Arts Center
466 Grand St, New York, NY
Thursday, April 20th, 2017 (7:30pm)
I’ll be joining the University of Washington Wind Ensemble and conductor Tim Salzman for the Seattle premiere of James Bonney’s guitar concerto DARKlightNESS, at their spring concert, Away.
Meany Hall for the Performing Arts (University of Washington campus)
Seattle, WA
Saturday, April 15th, 2017 (8pm)
Inverted Space presents its spring concert, “Sculpting in Time,” with a premiere of my new ensemble piece, Backing, Raising.
Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N.)
Seattle, WA
Saturday, February 17th, 2017 (8pm)
I’ll be playing Clint McCallum’s “Mar the Mirror” at Inverted Space‘s composers concert, “Dimensions.”
Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N.)
Seattle, WA
Saturday, November 12th, 2016 (8pm)
Inverted Space presents a program of works by Anthony Braxton and Morton Feldman, in two continuous sets.
Kerry Hall, Cornish College of the Arts
710 E Roy St, Seattle, WA
Monday, June 13th, 2016 (2pm)
Ignition/Convection to be presented at the New York City Electroacoustic Music Festival
Experimental Theatre, Abrons Arts Center
466 Grand St, New York, NY
Friday, June 10th, 2016 (8pm)
Luke Fitzpatrick: Violin and Electronics II
Luke performs what will sound has already sounded for violin and live electronics, along with Frises by Kaija Saariaho and premieres from Doug Niemela and Jacob Sundstrom.
Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N.)
Seattle, WA
Tuesday, January 19th, 2016 (7:30pm)
Inverted Space: Earle Brown Retrospective
Inverted Space celebrates the life and works of American composer Earle Brown in a concert featuring works from each decade of his career
Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N.)
Seattle, WA
Thursday, April 30th, 2015
Turbulent Fields: Jeff Bowen and the Inverted Space Ensemble
DMA Recital
Chapel Performance Space at the Good Shepherd Center (4649 Sunnyside Ave N.)
Seattle, WA
Monday, March 9, 2015
Performance of Stalasso II by the Nebraska Chamber Players
UNK New Music Festival
Fine Arts Recital Hall, University of Nebraska at Kearney
Kearney, NE