works

 

Weir (2020) 12’

Classical guitar, electric guitar, tenor saxophone, piano, viola, contrabass

Commissioned by the Seattle-Isfahan Music Project

Performance scheduled for May 22nd, 2022

Chapel Performance Space at the Good Shepherd Center, Seattle

 

Parataxis (2019) 15’

Violin and guitar ensemble

Luke Fitzpatrick, violin, with the Seattle University Guitar Studio

Pigott Auditorium, on the Seattle University Campus (6/8/19)

 

Phainein (2018) 10’

Solo prepared piano

Performed by Brooks Tran

Puget Sounds Studio, Issaquah, WA (10/27/18)

 

Redoubling (2018) 10’

Classical guitar and live electronics

Commissioned and performed by Satchel Henneman

Chapel Performance Space at the Good Shepherd Center, Seattle (6/14/18)

 

Of Seven and the Four (2018) 11’

Soprano, viola, guitar quartet, and mixed chamber ensemble

Commissioned and performed by the Seattle Mandolin Orchestra, with the Seattle Guitar Ensemble, Sarah Kolat (soprano), Luke Fitzpatrick (viola)

Trinity Parish Church, Seattle (6/3/18)

 

Where All That’s Solid Melts Into Air (2018) 22’

Commissioned by the University of Washington, for the Harry Partch Instrumentarium

Performed by the Harry Partch Ensemble

Meany Hall, Seattle (5/12/18)

 

Quatrain (Ruba’i) (2017) 3’

Guitar Quintet

Performed by the Seattle Guitar Ensemble

Queen Anne Christian Church, Seattle (1/20/18)

 

Backing, Raising (2017) 20’

Ensemble and live electronics

Performed by the Inverted Space Ensemble

Chapel Performance Space at the Good Shepherd Center, Seattle (4/15/17)

 

What Will Sound (was already sound) (2016) 10’

Violin and live electronics

Premiered by Luke Fitzpatrick

Chapel Performance Space at the Good Shepherd Center, Seattle (6/10/16)

 

Pan, Sinking (2015) 11′

Steelpan, flute, alto sax, horn, trombone, piano, violin (2), viola, cello

Premiered by the Inverted Space Ensemble

Chapel Performance Space at the Good Shepherd Center, Seattle (4/30/15)

 

Stalasso II (2013) 9’

Flute, violin, cello, piano

Premiered by the University of Washington Modern Ensemble

Chapel Performance Space at the Good Shepherd Center, Seattle (3/16/13)

 

Stalasso (2013) 8’

Symphony Orchestra (2.2.2.2-2.2.2.0-perc(3)-gtr-harp-8.6.6.6.4)

Premiered by the Seattle Symphony Orchestra, Stilian Kirov, conductor

Benaroya Hall, Seattle (6/4/13)

 

String Quartet (2012) 9’

Reading by the JACK Quartet

Meany Studio Theater, University of Washington, Seattle (5/17/2012)

 

Turbulent Field (2012) 11’

Premiered by Pascal Gallois and Megan Bledsoe

Brechemin Auditorium, University of Washington, Seattle (3/9/12)

 

Ignition/Convection (2011) 8’

Computer-realized sound

Presented at the Fall 2011 Composers Workshop Concert

Brechemin Auditorium, University of Washington, Seattle (12/3/11)

 

Diminution Cycle (2011) 7’

Solo organ

Premiered by Susanna Valleau

Walker-Ames Room, University of Washington, Seattle (5/20/11)

 

Zora (2010) 11’

Soprano, trumpet, cello, and percussion

Premiered by the soundSCAPE quartet

Maccagno, Italy (7/16/10)

 

 

Encounters (2009) 2’

Solo guitar with computer-realized sound

Presented in collaboration with the Stanford Documentary Film Program

Stanford University (12/3/09)

 

Damasi (2009) 4’

Flute, clarinet, horn, trumpet, and contrabassoon

Reading by the American Creators Ensemble at the Oregon Bach Festival

The Cube, Eugene, OR. (6/28/09)

 

Five Impromptus for Solo Guitar (2009) 6’

Premiered by the composer as part of Stanford’s Department of Music Showcase Concert. Memorial Church, Stanford University (4/12/09)

 

 

Music for Piano Trio (2009) 16’

Premiered by the Stanford Faculty Trio at the Wet Ink Composers Collective Winter Concert

CCRMA Stage, Stanford University (3/16/09)

 

Variation on a Theme from Mark Applebaum (2008) 2’30”

Piano, alto flute, percussion, trumpet.

Premiered by Beta Collide

Braun Auditorium, Stanford University (3/01/08)